DJ-Stuff.net for a complete listing of Handheld Condenser Microphones deals. The big names in Handheld Condenser Microphones at low, low prices, plus many Handheld Condenser Microphones accessories.
Last Updated: 03-Sep-10
This awesome stage condenser was designed for premium, high-end performance, and perfect construction. The C5900M is perfect for vocals because its internal spider suspension minimizes handling noise,
Audio Technica AE5400 Artist Elite Cardioid Condenser Microphone
The Artist Elite? Series is the most superb sonic design for the most elite venues. Recent advances in the quality and sophistication of professional live-sound systems have been nothing short of revolutionary. Tours, clubs, broadcast events, corporate facilities, and worship venues sound better than ever, utilizing better system design and better components in the audio chain.
The CAD C195 is a superior low-noise, electret condenser cardioid microphone designed for professional vocalists and musicians. The CAD C195 provides the performance and features to satisfy today's most demanding professionals.
The new Co11 is a high quality handheld condenser microphone that offers extended frequency response and wide dynamic range. The Co11 is the ideal vocal microphone for anyone that appreciates the crisp high end and warm proximity effect that can only come from a top performing condenser microphone.
The Aries is a professional condenser microphone designed specifically to capture live vocals with the highest quality. While condenser microphones offer much better responsiveness than dynamic mics, they are usually confined to the studio because their sonic sensitivity is accompanied by handling sensitivity. Now M-Audio?s proprietary internal shock-mounting technology allows the Aries to deliver studio fidelity while minimizing handling noise and standing up to the rigors of the road. The cardioid capsule with 6-micron evaporated gold diaphragm and integral pop filter also rejects background sound for clarity and minimal feedback while handling the high SPLs of concert situations. Why settle for the average sonic quality of a dynamic on stage when you can have the superior quality of a condenser?
